If you want "experimental" Vangelis look no further than Beaubourg and Invisible Connections. I'm pretty sure you'll find them too experimental. Also kind of experimental, but quite relaxing is Soil Festivities, which I often find myself listening to just to relax.
Tangerine Dream have done some pretty good stuff, IMHO. What comes to mind is the score for The Keep, Thief and of course the live album Poland. Amazing stuff. Chris Franke as a solo artist has been a bit hit and miss. On one side there's Babylon 5, as you mentioned, which is pretty good. On the other side there is Walker Texas Ranger. 'Nuff said.
There was talk at one point that Vangelis should do keyboards for Yes, but that never came to fruition. It's also widely assumed that Vangelis played the keyboard on Jon Anderson's solo album, Olias of Sunhillow. I'm not sure myself, but it *does* sound like Vangelis. There are no credits to support it, though.
peterb (20-07-2017)
Listening to Soil Festivities now!
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This is experimental:
https://www.youtube.com/watch?v=Y1Psx24n3rM
Its worth listening to do though even once - you can see what he is trying to achieve and this was a time when most things were in mono(outside experimental multi speaker systems) and remember it was the mid 1950s. It was actually recorded in 4 to 5 separate channels,ie,was multi-channel.
Might have involved some LSD though!!
Zoolook is very avantgarde:
https://www.youtube.com/watch?v=mqFKhiFgy5o
It uses extensive use of sampling - most of what you think is normal electronic sounds is made up of both animal,environmental and human sounds(from 25 different languages) sampled using the Fairlight CMI and more traditional methods,which have been processed and layered on top of each other.
A fair amount of it was based on Music for Supermarkets from the early 1980s,so probably was conceptually in development earlier on but needed the technology to catch up.
Its also innovative as being one of the first electronic albums to actually try and use world music themes - you can kind of see that with Waiting for Costeau which was a homage to Jacques-Yves Cousteau and used ocean and Carribean themes.
The title track is ethereal - the ultimate chill out track before chill out tracks became a thing!
Then you need to consider the impact of Oxygene - a lot of electronic music tended to sound,well,electronic.
Since JMJ was drawing from more classical roots,it sounded very,very different from what people like Kraftwerk were doing.
I would argue Kraftwerk were probably more innovative than most of their contemporaries though including JMJ and Vangelis.
There are certain motifs I hear in their songs which I hear even now.
An example with Spacelab:
https://youtu.be/VH0Js8qdnyA?t=42
Listen to the varying pitch baseline - most electronic music at the time was more like a "beep beep beep" at a single pitch. Spacelab had a varying pitch baseline which had a degree of depth as it phased in and out.
Now listen to a famous song from Madonna:
https://youtu.be/a4tD8dy9Reg?t=15
Listen to the base-line and its not the only song which used something similar.
Another one:
https://youtu.be/6b5XHOuxk2U?t=102
Listen to that part especially on headphones.
That feeling of "depth" with the simulated doppler effect as the train enters the tunnel. Something taken for granted with modern music.
Remember stereo was at its infancy in the 1970s and much of it could be left/right(although bands like Pink Floyd did try experimenting with this too).
They also did the Streethawk theme!!
Last edited by CAT-THE-FIFTH; 20-07-2017 at 12:50 PM.
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